Daniel Maher Stained Glass
Restoration of Angel Window

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Before
Before

After
After
The Condition
The "Angel" window is a striking example of the design and craftsmanship of the Tiffany Studio. Located above the Altar, the window measures 72 inches in diameter and is composed of a variety of full and semi-opalescent glasses. The window is constructed in one continuous panel that in places is as many as three layers of glass thick. The oversized single section and multiple layers are typical of the experimental nature of many studios during the Opalescent Era.

The experimental spirit of the Tiffany Studio included pushing the limits of the structural integrity of many artistic masterpieces. The "Angel" window was so severely buckled along the top and bottom border that the inscription plate was pushed out of the window.

The window had also suffered from an attack of vandalism in the early 1980's. The head was broken and an area to the lower right of the figure was also damaged. The previous repairs to the head and background were poor matches for the craftsmanship of the Tiffany Studio.

Vandalized Angel

The Challenge
The challenge of restoring the Angel window was exacerbated by the presence of cold paint over the background and the border. Before restoration there were large areas of the window that appeared black with no light or color coming through. The window currently faces northwest and receives no direct sunlight. The window's previous location (now the parish hall) faced directly to the South. There was some documentation that a previous Pastor considered the window too bright. The cold paint was obviously not original and a decision was made to remove it.

The Solution
Considering the poor structural condition, it was necessary to fully restore the window. This included the complete disassembly of the window, sash restoration and the design of new protective glazing. The cold paint was easily removed before disassembly with isopropyl alcohol. After disassembly the glass was thoroughly cleaned and deposits of dirt removed from between the layers of glass. Broken glass was rejoined using either silicone adhesive or small copper foil joints. The poorly matched glass of previous repairs was also replaced with several layers of glass that matched the original.

The shattered head was recovered from a previous restorer and was edge glued with epoxy. After much research on similar Tiffany Angel heads, a piece of glass was painted to match the detail of the missing area.

Restoring the AngelThe window was reassembled in leads that matched the original in size, profile and custom trimming in the figurative areas. The structural deficiencies were analyzed and flat steel bar grids were added to the back of the window to correct the problem areas.

The window was reinstalled in the opening with allowances to avoid frame distortion from future settling of the building. The protective glazing is a single layer of 1/4" laminated safety glass with screened soffetted vents to allow proper air flow between the stained glass and protective glazing.

 


The before and after restoration photographs speak for themselves. The window has been returned to the artistic vision intended by the Tiffany Studio.

Head of the angel, before edgegluing Head of the angel, after edgegluing

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